Who is this best suited for: The TC Electronic Brainwaves pedal is best suited for guitarists who like to experiment to create their unique tones. With the TonePrint programming and customizable presets, you have plenty of freedom to shape sounds to your liking. I must admit I was a little unsure about the design of this pedal at first. Each of the different fuzz and harmonizer controls is named after various types of bees, which is unusual, to say the least. However, I love the freedom that the pedal provides when you start to blend the five tones using the parameters.

The pedal relies on op-amps rather than transistors and three gain stages rather than four, to create its signature sound. It’s a sound that’s been described by noted Big Muff collector and historian, Kit Rae, as: “a huge, crushing Big Muff sound with more crunch… great for grungy, wall-of-sound distortion, heavy rhythm playing and heavy leads.” I was particularly impressed by the usefulness of the US600 for practicing alone. In addition to adding harmonies and textures to your guitar playing, you can use the pedal to create drones with long decays, and solo over the top of them or use them to compose melodies. One of the key aspects of an organ’s sound is the blend of harmonies and overtones which make up a chord. I found that the Organizer V2 can produce this distinctive tone, and by using the six controls on the face of the pedal, you can adjust the harmonies to suit your requirements. True bypass harmonizer pedals ensure that there is no loss of signal strength even when the device is turned off. They do this by allowing the signal to flow freely through the inner circuitry of the pedal, and are most effective when cable runs which span less than 18.5 ft are being used.

Rating

The Marshmallow pitch-shifter by Alexander Pedals will strike an interest in many guitar players just by taking a glance – it has an exciting graphic design. However, the thing that will make them buy it is, of course, the fact that this pedal is one versatile beast. Recording the amplifier’s output using a microphone will ensure that your tone is consistent with the sound of your live guitar rig, but it will be more difficult to process the audio retrospectively due to the elements that the amp inevitably adds to the recording. Who is this best suited for: Behringer pedals are suitable for guitarists who perhaps don’t want to spend a lot of money on individual effects, but still require access to high-quality tone-shaping options. Please use the 9V power adapter whose polarity is negative center otherwise, the product may not work properly. Pitch shifter pedals are very similar to harmonizers, except these pedals don’t generally create harmonies in real-time. They usually add a pre-determined interval to the dry signal or cause fast shifts in pitch either upwards or downwards, as is the case with a Whammy pedal.

Finally, the ‘Harmony’ control, which may be called ‘Interval’, is used to select the distance in tones between the original note played on the guitar and the harmony created by the pedal. For example, you could set this to ‘5th’ to create a harmony that is 5 notes away from the root. The CP-36 Pitch Shifter is a new pedal from Caline with a boatload of options which allow you to get practically any pitch or octave sound you're after. Great with single notes and chords alike. The wet and dry knobs allow you to blend the original signal vs the new harmonic signal. The detune mode on the selector ranges from -15 to +25 cents and again can be a subtle to "experimental" sounding effect depending on the settings. Takes a 9v power supply. My Review: BOSS’ exceptional VE-2 is technically a harmonizer for vocalists, but I’ve included it on this list because it can also be used with electric guitar. This pedal is a brilliant tool to have as part of your rig, both for recording and performing live. The FX600 has six effects in it – Flanger, Chorus, Phaser, Delay, Tremolo, and of course, a Pitch-Shifter. Because in this article, I am reviewing pitch-shifter pedals, I won’t focus on the other effects of this pedal. Instead, I will only review the pitch shifter effect.Who is this best suited for: Guitarists who want to capture the attention of the audience when playing solos will enjoy the sound created by the Whammy Ricochet. This pedal is sure to propel your guitar to the top of the mix instantly. If you have any comments or questions about the products in my article, feel free to leave a comment below the article. Once you’ve selected the interval from the seven preset modes, you can then use the two smaller controls to blend the wet and dry signals and create the ideal balance. The toggle switch at the top of the pedal is another feature I found useful, especially when it is set to ‘detune’ mode. This makes the harmonizer effect sound a little off-center and is ideal for building tension. The Op-Amp Big Muff was popularized by the brilliant Billy Corgan who first used it on the Smashing Pumpkins’ epic 1993 album Siamese Dream. After he was videotaped playing and talking about the reissue, Billy stated: ‘The magic’s still in the box, I can still get what I’m looking for!’” - Mike Matthews The harmonizing capabilities of the H9 are just as good as any standalone guitar harmonizer pedal. The advantage of using this device is that it opens up so many possibilities in the recording studio, thanks to its extensive bank of presets and editing tools.

My Review: The DigiTech Whammy originally included an expression pedal that controls the velocity and speed of the pitch-shifting effect. However, this new edition has replaced the expression pedal with more onboard controls, which makes it possible to use the device as a harmonizer.

Here Are the Best Guitar Harmonizer Pedals

My Review: I was originally drawn to the Brainwaves pedal by TC Electronic due to its flamboyant, eye-catching aesthetical design. Like all TC Electronic pedals, it has a unique visual quality which I found intriguing. A good quality PSU allows you to supply all of your pedals with the optimal voltage they require to function properly. The unit is connected to the pedal using power cables, and these can be left in place to save you time when you need to use your pedals. Then, once you’ve found the right balance between the sub-octave, dry and upper-octave notes, you can use the larger rotary control to change the harmonic content within the group. I was very impressed with the clean tone of this Mooer pedal, which remained even when dissonant harmonies are added into the mix.