Claude J. Summers and Ted-Larry Pebworth, eds., The Eagle and the Dove: Reassessing John Donne (Columbia: University of Missouri Press, 1986). The force of the petition measures the dire extremity of his struggle with himself and with God’s adversary. Donne pleads with God that he too has an interest in this contention for the sinner’s soul: “Lest the world, flesh, yea Devil put thee out” ( Divine Meditations 17). The drama brings home to the poet the enormity of his ingratitude to his Redeemer, confronting him bodily with the irony of Christ’s self-humiliation for us. In Divine Meditations 11 Donne wonders why the sinner should not suffer Christ’s injuries in his own person:

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The Poetical Works of Dr. John Donne, with a memoir, edited by James Russell Lowell (Boston: Little, Brown, 1855).

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As this poem’s title suggests, it’s a poem of farewell, written by Donne for his wife Anne in 1611-12 before he left England to go on a mission to Europe. Utilising metaphors of compass points and alchemical processes to describe the relationship between the husband and wife, ‘A Valediction’ is one of the finest examples of Metaphysical poetry. Anthony Low, Love's Architecture: Devotional Modes in Seventeenth-Century English Poetry (New York: New York University Press, 1978). Thomas O. Sloane, Donne, Milton, and the End of Humanist Rhetoric (Berkeley: University of California Press, 1985).

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The Complete Poetry of John Donne, edited by John T. Shawcross (Garden City, N.Y.: Doubleday, 1967).

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John Donne's Sermons on the Psalms and Gospels. With a Selection of Prayers and Meditations, edited by Simpson (Berkeley & Los Angeles: University of California Press, 1963).

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Nel 2021 che si sta chiudendo sono state poche le star di prima fila a spogliarsi in un film o in una serie tv. Donne's Sermons: Selected Passages, edited, with an introduction, by Logan Pearsall Smith (Oxford: Clarendon Press, 1919). Donne’s sonnet also ends with a very daring declaration of desire that God ‘ravish’ him – much as he had longed for the women in his life to ravish him in his altogether more libertine youth. molto raro che chi sceglie di condividere un viaggio in macchina in carpooling ne ottenga qualcosa di buono, a parte forse la sensazione di aver fatto qualcosa per l’ambiente. Tuttavia, nel 2017, la fotografa franco-svizzera Clélia Odette, di stanza a Bruxelles, si è ritrovata in una situazione che ha profondamente influenzato i suoi lavori successivi. This is how one of Donne’s most celebrated poems begins. And it’s gloriously frank – it begins with Donne chastising the sun for peeping through the curtains, rousing him and his lover as they lie in bed together of a morning.The history of Donne’s reputation is the most remarkable of any major writer in English; no other body of great poetry has fallen so far from favor for so long. In Donne’s own day his poetry was highly prized among the small circle of his admirers, who read it as it was circulated in manuscript, and in his later years he gained wide fame as a preacher. For some 30 years after his death successive editions of his verse stamped his powerful influence upon English poets. During the Restoration his writing went out of fashion and remained so for several centuries. Throughout the 18th century, and for much of the 19th century, he was little read and scarcely appreciated. It was not until the end of the 1800s that Donne’s poetry was eagerly taken up by a growing band of avant-garde readers and writers. His prose remained largely unnoticed until 1919. Helen C. White, The Metaphysical Poets: A Study in Religious Experience (New York: Macmillan, 1936). Dennis Flynn, "Donne and the Ancient Catholic Nobility," English Literary Renaissance, 19 (Autumn 1989): 305-323. John Donne's Sermons, project editor Kimberly Johnson,Brigham Young University, Harold B. Lee Library: http://lib.byu.edu/digital//donne/ In ‘A Valediction: Forbidding Mourning’, Donne likens the relationship between him and his wife to a religious or spiritual bond between two souls: note that he uses the word ‘laity’ to describe other people who cannot understand the love the two of them bear one another.

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Magyarország első és legnagyobb fórum szolgáltatása. A web kettő pre-bétája, amit 1997 óta töltenek meg tartalommal a fórumlakók. Fórumok változatos témákban, hangnemben, moderálva. Ha nem csak megosztani akarsz, hanem diskurálni egy egy témában, csatlakozz Te is, és ha kitartó vagy, társakra találhatsz. Exploiting and being exploited are taken as conditions of nature, which we share on equal terms with the beasts of the jungle and the ocean. In “Metempsychosis” a whale and a holder of great office behave in precisely the same way: Donne’s father died in January 1576, when young John was only four, and within six months Elizabeth Donne had married John Syminges, an Oxford-educated physician with a practice in London. In October 1584 Donne entered Hart Hall, Oxford, where he remained for about three years. Though no records of his attendance at Cambridge are extant, he may have gone on to study there as well and may have accompanied his uncle Jasper Heywood on a trip to Paris and Antwerp during this time. It is known that he entered Lincoln’s Inn in May 1592, after at least a year of preliminary study at Thavies Inn, and was at least nominally a student of English law for two or more years. After sailing as a gentleman adventurer with the English expeditions to Cadiz and the Azores in 1596 and 1597, he entered the service of Sir Thomas Egerton, the lord keeper of England. As Egerton’s highly valued secretary he developed the keen interest in statecraft and foreign affairs that he retained throughout his life.BIATHANATO A Declaration of that Paradoxe, or Thesis that Selfe-homicide is not so Naturally Sinne, that it may never be otherwise (London: Printed by John Dawson, 1647). Gli scatti iniziali del progetto che sarebbe successivamente diventato “Belles Mômes” sono stati realizzati in uno studio dove Odette aveva avuto modo di posare come modella per alcuni artisti. Dopo aver fotografato il primo soggetto, Sylviane, Odette si è resa conto che questi materiali potevano tornare utili per rassicurare le altre potenziali modelle: “Penso sia evidente che non c’è nulla di degradante nelle mie immagini.” Donne characterizes our natural life in the world as a condition of flux and momentariness, which we may nonetheless turn to our advantage.” The tension of the poetry comes from the pull of divergent impulses in the argument itself. In “A Valediction: Of my Name in the Window,” the lover’s name scratched in his mistress’s window ought to serve as a talisman to keep her chaste; but then, as he explains to her, it may instead be an unwilling witness to her infidelity: It’s impossible to be blinded by beauty, of course, but the cleverness of the conceit transforms it from clichéd declaration of love (‘I’m blinded by your beauty’) into something more affecting because, as T. S. Eliot observed, thought and feeling were united in Donne’s poetry.