Should this at-home study manual entice you to enroll in this fine finishing school, remember: don’t skip a class, develop good study habits, pay attention in your courses on weapons, poisons, and the art of disguise. With all of the detailing and overtly explaining how they all learned and planned their murders - the methods were smart, don't get me wrong - it became kind of repetitive. The book was way too long.

The telling difference would be that this particular shove would occur while Fiedler was standing at the edge of the platform as the IRT train bulleted into the station.

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I heard my voice but didn’t recognize it. “The things you do to people, Fiedler…” I flailed. “One day you’ll get what’s due you.” Yeah, that sure showed him. Edgar winner Holmes ( Swing) frames this cheeky 1950s-set crime novel as a self-study guide for those who can’t afford tuition to the McMasters Conservatory for the Applied Arts, a “finishing school for finishing people off” whose location is kept secret from even those enrolled. The book-within-a-book’s author, McMasters dean Harbinger Harrow, chronicles the experiences of three students to educate at-home pupils by example. Baltimore engineer Cliff Iverson, British hospital worker Gemma Lindley, and incognito Hollywood star Dulcie Mown may hail from different walks of life, but all are at McMasters for the same reason: to learn how to kill their sadistic employers without getting caught. Harbinger warns from the start that not all three students will succeed in their respective missions, fostering a sense of mystery surrounding who fails, why they fail, and how spectacularly. Though the book feels overlong, sapping some of its drive, and Holmes never fully commits to his conceit, his farcical plotting, idiosyncratic characters, and witty, stylish prose combine for a fun, frothy read. Fans of humorous historical fiction will be well entertained. Agent: Jennifer Joel, ICM Partners. (Feb.) Full of twists, the emphasis is on comedy . . . but the extraordinary Holmes can pull the heartstrings too.' THE TIMES Disclaimer: This review is not meant to promote the murder of despicable employers, but rather to encourage the enjoyment of this book/audiobook. I highly recommend! It all went a bit downhill when the book moved on to following three students through three murders. The murders were hugely overplanned, in a way that sounds clever at first glance but entirely depended on a whole lot of people unknowingly doing things exactly as hoped, and detailed so lovingly that the book slowed to an absolute crawl. And also, they were three entirely unrelated murders! I wanted to see them woven together, or for something to bring the various characters and plots together (ideally in a way that would give them a bit more actual character work), but it was just three chopped up accounts of three unconvincingly elaborate plans to kill people, and by the end I will admit to skimming.

It took me a bit longer to read Murder Your Employer: The McMasters Guide to Homicide than I’d figured initially. This is actually a pretty interesting and entertaining murder mystery where the mystery is not who dies or who dunnit; it’s how the would be ‘deletist’ (we don’t say ‘killer’ here) will achieve their goal while not getting caught and still observing the 4 main principles of ‘deletion’ (we don’t’ say ‘murder’): Is this murder necessary? Have you given your target every last chance to redeem themselves? What innocent person might suffer by your actions? Will this deletion improve the life of others? Murder Your Employer: The McMasters Guide to Homicide by Rupert Holmes is presented as a handbook written by Dean Harbinger Harrow of McMasters Conservatory and details the experiences of three students from the graduating class – aeronautics engineer Cliff Iverson (whose anonymous sponsor remains a mystery revealed at the end of the story), hospital employee Gemma Lindley and Dulcie Mown (alias for Hollywood diva Doria Maye) - each of whom seeks to execute a sanctioned deletion of their respective employer/boss. We follow all three candidates through their orientation, training and ultimately their “thesis” which translates into how to apply all they have learned in executing their plan, failing which has its own set of consequences. Much of Cliff Iverson’s story is told through journal entries (first person PoV). Stedge was a short, muscular man inadequately contained by the seams of his rayon suit. He sported an identical tie to the captain’s, indicating either that he was having an affair with Dobson’s unloving wife or that they’d bought their ties at the same store from a display labeled “None Over a Quarter.” The handle of a police revolver peeked from behind his left lapel where it nestled uneasily in an ill-fitting shoulder holster. Although I don’t consider myself particularly vain (except perhaps for considering myself more often than I should), I was pleased to have conceived such an expert murder, especially since I’d never previously considered committing one.

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Dobson had not taken his eyes off my face, but it seemed safe to assume he didn’t have a schoolboy crush on me. “Were you planning to ask why I want to know where you were?” he asked with genuine curiosity. “See, usually when I ask someone for an alibi, they want to know why.” The plot had me intrigued and invested the whole time. I loved the setting of the school, from classes to the assignments given to through the eyes of our main characters. Witty dialogue and banter helped the book to maintain a consistent flow instead of feeling stunted. A story with humor that's not overdone, details and "twists" were logical and keeps you on your toes along with characters that aren't the ordinary papier-mâché stereotypes.

When Cliff Iverson finds himself wanting to kill his employer, he tries to execute what he feels is the perfect plan. He soon discovers that his thinking is anything but perfect and the police show up on his doorstep moments later. Thinking that he is headed to the slammer, Cliff prepares himself, only to find himself at the gates to the elusive McMasters Conservatory. This is where his life changes forever. A new novel from the man who wrote Swing (2005), Where the Truth Lies (2003), and “Escape (The Piña Colada Song).”

One of the things that I missed at first that really would have helped me was knowing that this book is set in the 1950s as I struggled for a while with the time setting. There is so much dry humor here, I could totally picture it as a movie on the screen with the witty one-liners. I came to really care for the characters and was rooting for their success in their deletions as their employers were truly awful people. Jesus, I thought—I have my spiritual moments given the right circumstances—they know my real name! My mouth went instantly dry as if a cup of flour had been tossed down my throat. How, how could they possibly know who I was? The only other way out of the room was the fire escape to the street eight stories below, and with flight being evidence of guilt, I summoned all the bravado left in me and discovered there was none. I felt both corners of my forced smile twitching like a jumpy nerve as I opened the door. “Yes?” I asked, striving for the puzzled tone of a model citizen. The first half is a slow-burn with focus on campus life in an idyllic setting of unknown location. In fact, the school’s location is so secret, students arrive blindfolded after being taken on quite a circuitous journey. Upon arrival, they don’t even know what country they are in.